Lisa A. Alter

Partner

Lisa Alter is highly regarded for her representation of clients in the acquisition, sale, and securitization of significant music assets. As part of her practice, she renders sophisticated strategic advice on deal structure and risk mitigation, conducts in-depth legal due diligence and copyright analyses, negotiates, drafts, and closes complex stock and asset purchase agreements, and acts as music counsel to originators, issuers, and investors in asset backed securitizations. She represents many major and independent music publishing companies, record labels, equity investors, lenders, and financing partners in the music space, and is a sought-after advisor in many of the most high-profile recent transactions in the music industry.

In addition, Ms. Alter’s clients include a large number of bespoke songwriters, recording artists, and producers as well as the musical estates comprising the successors to many of the great American songbook composers and lyricists. Among her clients are numerous inductees in the Rock & Roll Hall of Fame and the Songwriter’s Hall of Fames and recipients of Grammy and Ivor Novello Awards.

Ms. Alter lectures frequently on best practices in investing in music assets, as well as copyright issues in general, at professional and music industry meetings in both the US and the UK. She is an annual presenter at the prestigious Music Investor Conference in New York City and has served as a Visiting Professor at Yale Law School where she taught a course on the Law and Business of Music.

Ms. Alter is perennially recognized in Billboard’s “Top Music Lawyers” and “Power” lists, as well as Variety’s “Legal Impact Report,” “Dealmakers Impact Report,” “New York Women’s Impact Report,” and “New York Dealmakers Elite.” She was named the U.S. News & World Report’s New York City “Best Lawyer of the Year - 2023” in the practice area of Entertainment Law – Music and has been honored by Forbes on its “America’s Top Lawyers List” in each of 2025 and 2024. She has also been named as one of The Hollywood Reporter’s “New York Power Lawyers,” and Billboard’s “Women in Music: Executives of the Year.”

  • "Music Legal Elite Report," Variety (2024-2025)
  • "America's Best-In-State Lawyers," Forbes (2025)
  • Band 1 Ranked Lawyer in Media and Entertainment: Music - New York, Chambers USA (2019-2025)
  • "America’s Top 200 Lawyers" Honoree, Forbes (2024)
  • Best Lawyers, Copyright and Entertainment Law – Music (2021-Present)
  • Best Lawyers, Entertainment Law- Music "Lawyer of the Year" (2023)
  • Top Music Lawyer, Billboard (2018-2025)
  • Legal Impact Report, Variety (2021-2023)
  • "Best Law Firms," U.S. News & World Report (2021-2025)
  • Dealmakers Impact Report, Variety (2020-2024)
  • Power List, Billboard (2020-2023)
  • Dealmakers of the Year, New York Law Journal (2021)
  • “New York Power Lawyers”, The Hollywood Reporter (2021)
  • New York Metro Super Lawyers (2018-2021)
  • Executives of the Year, Women In Music, Billboard (2018-2020)
  • Dealmakers Directory, Billboard (2020)
  • New York's Top 20 Entertainment Attorneys, The Hollywood Reporter (2020)
  • New York Women's Impact Report, Variety (2020)
  • Recognized Practitioner, Chambers USA (2018)
  • New York Dealmaker's Elite, Variety (2017, 2018)
  • Panelist: “Legal Perspective”, The Inaugural Music Investor Conferences Hosted By David Israelite (New York, NY, 2023)
  • Panelist: “The Value of a Good Song – Trends and Developments in Music Catalog Transactions”, New York State Bar Association, Entertainment, Arts & Sports Law Section: EASL Music Business and Law Conference 2022 (New York, NY, 2022)
  • Panelist: “Catalog Acquisitions Panel”, AIMP Global Music Publishing Summit (New York, NY, 2022)
  • Panelist: “Selling Out! The Latest Trends in Music Catalog Sales”, Beverly Hills Bar Association (Webinar / California, 2022)
  • Panelist: “Music Catalog Sales and the Changing Landscape in Music Publishing”, Copyright Society of the USA (Webinar, 2022)
  • Panelist: “Todays’ Gold Rush - Intellectual Property Acquisitions & Monetization”, American Institute of Certified Public Accountants (Webinar, 2022)
  • Panelist: “EASL MBLC 2020 Conference: Music Industry,” (Webinar, 2020)
  • Panelist: “The 2019 Gold Rush is in Music Catalogs: The Outlook for Music Asset Transactions and Strategies in Mitigating Risk”, EASL - Music Business Law Conference (New York, NY 2019)
  • Panelist: “Money on the Table: Trends in Copyright & Music Publishing Acquisitions”, Music Business Association (Nashville, Tennessee, 2018)
  • Panelist: “Reclaim Your Copyright”, Entertainment & Technology Law Conference (New York, NY, 2017)
  • Panelist: “Termination Rights and Related Issues”, New York State Bar Association Entertainment and Sports Law Section: Annual Music Business and Law Conference (New York, NY, 2016)
  • Panelist: “The Ins and Outs of Copyright Terminations”, American Bar Association (Webinar, 2016)
  • Speaker: “Music Licensing Issues”, Practicing Law Institute: Advanced Copyright Law Annual Review (New York, NY, 2016)
  • Presenter: “Terminations of Transfers in the Music Industry”, City Bar Association – Entertainment Law Committee (New York, NY, 2016)
  • Moderator: “I Want It Back – Termination of Grants of Copyright”, American Bar Association at the Americana Music Conference (Nashville, TN, 2015)
  • Panelist: "Deconstructing Digital: An Overview of US Licensing and Royalty Collection Practices”, PRS for Music (London, UK, 2015)
  • Moderator: “The Beginning or the End? The Impact of US Termination Rights on the UK Music Industry”, PRS for Music (London, UK, 2015)
  • Panelist: “International Licensing of Music: From BC to AD (From Before the Change to After Digital)”, Music Business Association: Entertainment & Technology Law Conference (New York, NY, 2014)
  • Presenter: “The Terminators: An Update on the Termination of Transfer Provisions in the U.S. Copyright Act”, Association of Independent Music Publishers (New York, NY, 2014)
  • Presenter: “U.S. Copyright Termination: Implications for U.K. Songwriters”, British Academy of Songwriters, Composers and Authors (BASCA) (London, UK, 2013)
  • Presenter: “U.S. Copyright Termination”, Music Publishers Association (London, UK, 2013)
  • Panelist: “A New Beginning in the End: Termination Rights in Sound Recordings”, American Bar Association (Webinar, 2012)
  • Panelist: “Termination of Transfers of Copyright”, The 10th Annual San Francisco MusicTech Summit (San Francisco, CA, 2012)
  • Panelist: “Creators v. Corporations: Copyright Termination and Royalty Accounting After the Eminem Case”, National Association of Recording Merchandisers Entertainment and Technology Law Conference (New York, NY, 2011)
  • Speaker: “Implications of U.S. Copyright Terminations for U.K. Authors and Publishers”, Featured Artists Coalition/Music Management Forum (London, UK, 2011)
  • Panelist: “Hot Blooded: The Debate Over Sound Recordings as Works Made for Hire”, Copyright Society of the USA Annual Meeting (New York, NY, 2011)
  • Panelist: “The Ins and Outs of Copyright Terminations”, American Bar Association (Webinar, 2011)
  • Admitted to practice in New York, California and New Jersey
  • New York State Bar Association
    • Entertainment, Arts and Sports Law Section
    • Intellectual Property Law Section
  • American Bar Association
    • Forum on the Entertainment and Sports Industry
    • Intellectual Property Law Committee
  • Copyright Society of the USA
  • International Association of Entertainment Lawyers
  • Planned Parenthood New York City, Board Member
  • Adolescent Girls Legal Defense Fund, Advisory Board Member
  • Girls Learn International, Co-Founder & Advisory Board Member
  • New York University School of Law, J.D. (1981)
  • Wesleyan University, B.A. (1978)

Protecting Your Musical Copyrights

Download our useful and frequently sought out guide to copyright law as it pertains to musical compositions and sound recordings, including detailed information regarding the statutory termination provisions of the US Copyright Act and helpful charts outlining the applicable timeframes during which the recapture rights provided for thereunder may be exercised, as well as practical tips for musical estates, music publishers, and other content owners.
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